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Category: Movies
Word Count: 995
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Crossfire’s Noir “B” Picture Style

Crossfire’s Noir “B” Picture Style


     Edward Dmytryk’s Crossfire (1947) explores the dense theme of anti-Semitism, and Dmytryk shadows his motives by implementing a noir-style thriller with a killer ending. The movie never becomes preachy, but still manages to nail a hard-nosed theme into the audience. The movie wasn’t a prestige production, but more of a star vehicle featuring three big Robert’s. Robert Young, Robert Ryan, and top-liner Robert Mitchum take charge of the film and led it to
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